Omnidimensional Authors (OAs) are persons who utilize their 'alternative abilities' (clairs, mancies, pathies, divinations, astrologies, astrals, kinesis, synchronicities, mythologies, etc.) to receive ineffable information that they translate into a literary (or media) form for others to access.
These literary works are rooted in the idea that they draw upon one or more of the astrals (which consist of but are not limited to): astral travel, astral projection, out-of-body-experiences (OBE), multilocation, teleportation, etc. with an OA translating this information for publication or production.
These literary works are rooted in the idea that they draw upon one or more clair abilities (Clairvoyance, Clairaudience, Clairtangency, Clairgustance, Clairsalience, Claircognizance, Clairsentience, or Clairempathy) with an OA translating this information for publication or production.
"Clairvoyant Journal 1974 by Hannah Weiner (1928-1997) is derived from the Early and Clairvoyant Journals typescripts, encompassing entries from February 23 to June 10, 1974. In this work, Weiner employs a distinctive diary format, utilizing various typographic styles (roman, italic, and CAPITAL) to convey an internal dialogue among three different voices. In true oracle-style, Weiner opens us up to some of the alternative abilities used by OA's throughout the ages, the clairs.
In a letter to Paul Demeny, Charleville, 15 May 1871, poet Arthur Rimbaud (1854-1891) expanded on how his poetry was formed through a process that he described as being a "seer". His process of being a seer was described as, "The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. —For he arrives at the unknown!" Rimbaud's unknown, unutterable, unnameable things is (in other words) the ineffable, a space of many names but which we call omnidimensional.
These literary pieces are based on the premise that part, if not the entirety, of a literary work is based within divination techniques such as (but not limited to: tarot, Ouija, runes, bones, I-ching, etc.), with an OA translating this information for publication or production.
James Merrill's *The Changing Light at Sandover* is a 500+ page epic poem, published in three volumes between 1976 and 1980 as a compilation of: including the whole of the Book of Ephraim, Mirabell's books of number, Scripts for the pageant, and a new coda, the Higher keys which were all produced through his use of a Oujia board. (Internet Archive)
This one-of-a-kind tarot was channeled by Beautiful Existence (B3) with the guidance of cannabis plant spirit and Madame Lenormand over a 10 month gestation period between 2017-2018 and its spiritual birth happened on June 1st, 2018. It is now a historical artifact, housed in 5 international museums.
This oraculum was first published on Halloween, October 31st, 2021, bu Beautiful Existence (B3) as a separate bibliomancy tool and companion guidebook to the Cannabis Tarot® deck. This publication has been sold around the world online through Amazon and is also in international museums.
These literary works are rooted in the idea that they draw upon one or more of the various forms of mediumship such as (but not limited to): automatic writing, possession, trance, channeling, healing, evidential, and animal with an OA translating this information for publication or production.
Diane di Prima has been channeling since she was a teenager, taking part in becoming friends through mediumship with some of the greatest authors of antiquity such as John Keats and Percey Shelley. In di Prima's Revolutionary Letters, #45 references the medium's divinatory tool of the I-ching, and #46 speaks directly into not undercutting your magical powers.
The beloved Portugese poet, Fernando Pessoa, only produced one book in his life, but his posthumous works went into The Book of Disquiet, which is a treasure of insight into this medium of a man who wrote through 78+ heteronyms. Reclaiming his works as performed, “by the author but outside of his own person" and claiming their authority as real, actual individual beings with their own astrological birthcharts, personalities, and even death dates.
W.B. Yeats wrote of his new wife, Georgie Hyde-Lees, “On the afternoon of October 24th 1917, four days after my marriage, my wife surprised me by attempting automatic writing.” A mediumship that lasted years and produced the book A Vision which was published by W.B. Yeats. We recognize her work as the OA according to English legal precedence set forth in Cummins vs. Bond.
Sir Arthur Conan Doyle wrote of his wife, Jean Elizabeth Leckie, "It is now five years since the great gift of inspired writing first came to my wife" in the opening paragraphs of his published book, Pheneas Speaks. This book, published only under his name, is a compilation of notes he took from the channeling sessions that his wife held while in states of mediumship with various other-wordly beings such as Pheneas. We recognize her work as the rightful OA of this literary work under the Cummins
Cummins v Bond was a 1927 English copyright case that established that when a spirit or ghost communicates a work to a living person via a medium, the copyright belongs to the medium rather than the spirit or any later transcriber.
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